
After looking at an 18 classified film and a 12 classified film, I thought that it would be a good idea to research into a 15 classified film in order to know the difference between the three classifications. I then decided that a good film opening that relates to my project is the film called Sleepy Hollow (1999) that was also directed by Tim Burton – who directed Sweeney Todd (2007) that is an 18.
At the very beginning of the film, the audience are shown the main credits of the film using a smoky/misty background in order to create tension and there are children singing in order to add the holy and religious feel to the opening scene. Then panning shots are shown of a person’s last will and testament and drips of red candle wax are shown to drip down upon the parchment (using a close up shot). This red wax could remind the audience of blood and therefore would have connotations to death and foreshadows that there will be murder involved in the next following events.
A carriage is then shown carrying an old man (presumably being the man that has just embedded his signature into the red wax). The music is then intensified and creates tension for the audience along with the sound effect enhancement of the horses’ hooves hitting the road as they gallop. The mise en scene in general for this scene is gloomy and the use of fog creates a mood of uncertainty.
There are mid-shots of the man in order to show his expressions, as previously there is a long shot of a scarecrow in a field and the lightning illuminates the scarecrow in order to intensify the mood. There is a supernatural noise following this and the audience see a horse running beside the carriage on the other side, which makes the audience know that something is not natural with the horseman and that there will be something nasty happen to this man. A loud and enhanced noise of a sword leaving its scabbard is heard and a slicing noise also in order to create the tension that something has happened outside involving the horseman that just went past. The audience then know that the man inside the carriage should not look outside but he does, only to have a shot moments later of the carriage driver having no head and the man’s reaction to this.
The music is now very fast in rhythm and close up shots of the carriage wheels are shown to show that it is out of control and that the man should jump out of the carriage. Furthermore, by using the mise en scene of a crop field as the setting for where the man tries to escape through, it gives the scene a definite supernatural and thriller genre because the audience cannot wait to know whether this man survives or not. A mid-shot of the scarecrow is shown again with the lightning effect and further close-ups show that the man is really scared of his wellbeing – which is portrayed well by the use of the scarecrow being present (symbolism).
There is another sound effect of the scabbard and the sword and then the camera zooms in to show his reaction and his head is cut off. There finally is a shot of the pumpkin for the scarecrow’s head with blood splattered all over it; mixing the Halloween theme with the scene here.
The typography used for the titles are white and have an old fashioned style to them, creating the sense that this film is set in older times (1799) before the date is displayed to the audience. The mise en scene of the costumes and the carriage also allows the audience to gain the old fashioned feel to the era in which it is set.
The audience that Tim Burton directed this film because it includes his artistic style of his filmography and they can relate to his previous films while watching this one. To conclude, this research of this film opening has allowed me to expand my knowledge into the sound effects that would be successful in using in my film opening and how lighting and sound has a great impact on what we as an audience watch.